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Fibonacci Sequence Golden Ratio Pendant

Ph a dr t undrtndng life! The drtn of th proportion as Gldn nd Divine fttng perhaps bu t seen b mn t open the dr to a deeper understanding f but nd spirituality n life. Tht n nrdbl role fr a ngl numbr t l, but thn gn th n number h ld an nrdbl role n humn htr nd n th unvr t lrg.
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  • Each pendant has a high shine finish and is made out of stainless steel (including the chain) so it will never tarnish or rust, or cause irritation like other cheap alloys other similar pendants are made out of. 
  • Each Symbol has I diameter of 50mm Can be used as a key ring or pendant.
  • Has been designed using sacred geometric ratios in order to harness the full power of the symbol. 
  • All pendants symbols have been chosen by their positive effects on the human body such as strengthening the auric field, chakras, manifestation aid, manifestation aid and protective capabilities such as reducing the effects of radiation and psychic attack. 


The Golden ratio, otherwise known as the Divine Proportion is derived geometrically when dividing a line into two parts, such that the longer part divided by the smaller part is equal to the whole length of the line divided by the longer part. It is often represented with the Greek alphabet phi and the value is approximately equal to 1.618. Although the divine proportion is an irrational figure, unlike pi, it is not a transcendental one.   

In ancient Greece, this dividing property was generally described as “the division of a line into extreme and mean ratio,” a phrase that was ultimately shortened to simply “the section.” However, over 2,000 years later, both “ratio” and “section” were then designated as “golden” in the references by the German astronomer Johannes Kepler and some others. The Greeks also had observed that the divine proportion had provided the most aesthetically pleasing ratios of sides of a rectangle, a proposition that was greatly enhanced during the Renaissance by work of some Italian artist, architects and scientist. One of the most notable of these was the Italian polymath and artist Leonardo da Vinci and the publication De divina proportione  by the Italian mathematician which was further illustrated by Leonardo in some of his works.

 Some believe that the golden ratio got its name from th Golden Rectangle which is a rectangle whose sides re n the rrtn of th Rt. Th theory f th Golden Rtngl n tht one and can hence be found deliberately or involuntarily in a number of art works. Fr instance, th front f th Parthenon n is framed with a Golden Rectangle.

The golden ratio has been claimed to have gained a special attention for about 2,400 years at least though reliable evidence, though no reliable evidence has been provided to back this up. But according to Mario Livio
“Some of the greatest mathematical minds of all ages, from Pythagoras and Euclid in ancient Greece, through the medieval Italian mathematician Leonardo of Pisa and the Renaissance astronomer Johannes Kepler, to present-day scientific figures such as Oxford physicist Roger Penrose, have spent endless hours over this simple ratio and its properties. But the fascination with the Golden Ratio is not confined just to mathematicians. Biologists, artists, musicians, historians, architects, psychologists, and even mystics have pondered and debated the basis of its ubiquity and appeal. In fact, it is probably fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics.

Most mathematicians in ancient Greece studied what we now call the divine proportion due to its recurrent appearance in geometry, which is an integral part of mathematics. The Golden ratio also tends to reoccur a lot in the study of the pentagrams and pentagons.

Sometime in 1200 AD, Mthmtician Leonardo Fibonacci discovered unu rrty f some.  These numbers would eventually become the Fibonacci sequence. This sequence has been proven to be directly related to the Golden Ratio because the ratio of any two uv numbers in the Fbn sequence is close to the Divine proportion and as the numbers get higher, the ratio gets closer.

  The Divine Proportion is said to appear quite often in nature; tree branches, pinecones, flower heads, faces and even the DNA strand are some examples where the Golden Ratio is said to occur in Nature. Some schools of thought see this proportion as Golden and Divine bcau it believed to open the dr to a deeper understanding f but and spirituality.
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Weight 0.01kg